THE BEST LINE EVER SAID IN CINEMATOGRAPHIC HISTORY
October is the awareness month for every single one of these!
Don’t just go pink!
Signal boost like there’s no tomorrow!
I have faith in you tumblr!
We can raise awareness for the awarenesses!
We can do this!
I have celiac disease and this is the first time ive EVER seen it being supported besides the little groups of people who all have it. This actually means a lot because it isn’t just a joke or diet its legit. THIS IS WHY I FUCKING LOVE TUMBLR
A Guide for the Seasoned and the Not-So-Plot Savvy
This is a subject that a lot of writers tend to struggle with. They have ideas, great ideas, but are uncertain how to string them together into a solid plot. There are many methods that have been devised to do so, and most seem to be based on something you might remember:
The 5 Point Method
This is your basic plot diagram:
Exposition – This is the beginning of your story. This is where you introduce your character (s), establish a setting, and also present your main conflict.
Rising Action – Your story now begins to build. There are often multiple key events that occur where your main character may be faced with a new problem he has to solve or an unexpected event is thrust at him.
Climax – Everything you’ve been writing has been leading up to this moment. This is going to be the most exciting part of your story where your main character faces the main conflict and overcomes it.
Falling Action – This is mostly tying up loose ends after your main conflict is resolved. They are minor things that weren’t nearly as important as the main conflict, but still needed to be dealt with.
Resolution –The end of the story.
This is probably the easiest way to remember how to string together a single (or multiple) plots. It may be easier for some to define the main plot as the central conflict, or the thing that’s causing your main character a huge problem/is his goal.
The 8 Point Method
This method is used to write both novels and film scripts, and further breaks down the 5 Point Method. From the book Write a Novel and Get It Published: A Teach Yourself Guide by Nigel Watts:
Stasis – The opening where the story takes place. Here you introduce your main character and establish a setting (Watts defines it as an “everyday” setting, something normal, but it can be whatever you want).
Trigger or Inciting Incident – The event that changes your character’s life an propels your story forward. This is where you introduce the main conflict.
The Quest – The result of the event. What does your character do? How does he react?
Surprise – This section takes of the middle of the story and involves all of the little setbacks and unexpected events that occur to the main character as he tries to fix the problems he’s faced with and/or achieve his goal. This is where you as an author get to throw complication, both horrible and wonderful, at your protagonist and see what happens.
Critical Choice –At some point your character is going to be faced with making a decision that’s not only going to test him as individual, but reveal who he truly is to the audience. This cannot be something that happens by chance. The character must make a choice.
Climax – This is the result of the main character’s critical choice, and should be the highest point of tension in the story.
Reversal – The consequence of the choice and climax that changes the status of your protagonist, whatever that may be. It could make him a king, a murderer, or whatever else you like but it has to make sense with the rest of the story.
Resolution – The end of the story where loose ends are tied up. You’re allowed to leave things unresolved if you intend to write a sequel, but the story itself should be stand alone.
Three Act Structure
While this method is usually for screenplays, it is also used in writing novels (for instance The Hunger Games novels are split up into three acts). From the The Screen Writer’s Workbook by Syd Field: Acts 1 and 3 should be about the same length while Act 2 should be double. For instance if you were writing a screenplay for a two hour film Acts 1 and 3 would be 30 minutes each while Act 2 would be 60 minutes.
Act 1, Set Up – This contains the inciting incident and a major plot point towards the end. The plot point here leads into the second act and is when the protagonist decides to take on the problem he’s faced with.
Act 2, Confrontation – This contains the midpoint of the story, all of the little things that go wrong for the protagonist, and a major plot point towards the end that propels the story into the third act. This is the critical choice the character must make.
Act 3, Resolution – This is where the climax occurs as well as the events that tie up the end of the story.
Another way to look at this method is that there are actually three major plot points, or disasters, that move the plot forward. The first is at the end of Act 1, the second is in the middle of Act 2, and the third is at the end of Act 2.
The Snowflake Method
A “top-down” method by Randy Ingermanson that breaks novel writing down into basic parts, building upon each one. You can find his page on the method here. His ten steps:
Write a single sentence to summarize your novel.
Write a paragraph that expands upon that sentence, including the story set up, the major conflicts, and the ending.
Define your major characters and write a summary sheet corresponding to each one that includes: the character’s name, their story arc, their motivation and goal, their conflict, and their epiphany (what they will learn).
Expand each sentence of your summary paragraph in Step 2 into its own paragraph.
Write a one page description of your major characters and a half page description of less important characters.
Expand each paragraph in Step 4 into a page each.
Expand each character description into full-fledged character charts telling everything there is to know about the characters.
Make a spreadsheet of all of the scenes you want to include in the novel.
Begin writing the narrative description of the story, taking each line from the spreadsheet and expanding the scenes with more details.
Begin writing your first draft.
This is what I do. I tend to keep in mind the basic structure of the 5 Point Method and just roll with whatever ideas come my way. I’ve never been a fan of outlines, or any other type of organization. According to George R.R. Martin, I’ve always been a gardener, not an architect when it comes to writing. I don’t plan, I just come up with ideas and let them grow. Of course, this may not work for some of you, so here are some methods of organization:
- Character Sheets
And if all else fails, you can fall on the advice of the great Chuck Wendig: 25 Ways to Plot and Prep Your Story.
Remember, none of the methods above are set in stone. They are only guidelines to help you finally write that novel.
After uploading Eleven’s Regeneration without music I decided why not upload Ten’s as well. Ten’s regeneration was accompanied by the fantastic ‘Vale Decem’ written by Murray Gold, but the Doctor wouldn’t have heard it. So here’s his regeneration scene without music.
But couldn’t the Doctor hear the Ood singing??? This time, the music was explained, part of the show tater than just a device to incite an emotional reaction.
Ten would have heard it.
((Yes, he would have. So this is more like us being there, if we were with him during his regeneration, right? Because we wouldn’t be the ones able to hear it, only Ten.
It’s pretty painful.))
God’s dad was an alcoholic gay man
I swear this show is on drugs
And even said John Winchester was suppose to start the apopcalypse:
"He was suppose to bring it on, but in the end, it was you."
"And it is written that the first seal shall be broken when a righteous man sheds blood in hell. As he breaks, so shall it break."
John Winchester was flawed and no, he was never a perfect father, but he did raise his boys just as much Bobby. His problems don’t justify some of the things he did. Sure, call him out on the things he DID do, but don’t take away the things he did right.
Dean wasn’t a saint either, but he was righteous enough of a man to break the first seal.
DO NOT BOOP MY NOSE
The “break my muse” stuff gets old. Make them smile and mean it.
Inbox me with the name of a thread that we dropped through forgetting to reply/losing the thread/not realising it was your turn, etc, and we’ll continue it!
It gets sort of awkward when it’s months down the track and you suddenly realise it was your turn on the thread. But alas! It’s been too long, it would be awkward to reply now, even if you really want to continue the RP. Consider this amnesty, send the name of the thread in, then reply or I’ll reply (Depending on whose turn it was) and we’ll continue on as though the thread was never accidentally dropped. If the rp didn’t have a name, then a general description is fine, so long as I know which one you’re talking about.
a friendly reminder that people are allowed to play the same muse as each other, and that’s okay!
one doesn’t take away from the other. everyone has different interpretations, and it’s all a matter of personal preference. nobody is trying to encroach on anyone’s territory or “replace” someone.
people can play with more than one version of the same character, should they choose to, or they can play with every version of the same character! it’s all okay! we’re all here for the same thing: to have fun.
as long as you don’t plagiarize, there’s nothing wrong with two people having the same muse.
there’s nothing wrong with someone choosing to play with more than one of the same muse.
it all comes down to personal preference in an activity that is meant to be for fun, so let’s keep it that way.
thank you for listening, friends, and i hope you have a great night!